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November 16, 2016January 13, 2017

Micropublishing: FINAL BOOK

You made it! This is the FINAL project!

And as previously discussed in class, you’re in charge. You determine the content, page-count, images, etc.

However, there are some expectations:

This project should be ambitious, creative, and a culmination of what you’ve learned not only in this class, but also in Typography, Type + Image, and Publication. Pay attention to type size, margins, and image quality.

And, of course, there should be a solid concept upon which you build the entire project. What is the story you want to tell? What is the subject you want to address? Why should someone pick up this book and read it?

DUE WED DEC 7

November 16, 2016

Type + Image: Typographic Storytelling

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For your FINAL PROJECT in Type + Image:

You will pick a haiku at random from the mystical haiku bowl.

Your task is to reinterpret the haiku as a small, 8-page booklet. You must design the front and back covers, as well as three interior spreads.

You may use any kind of typography you would like to tell the story. All words in the haiku must be used, but no other words. However, you may repeat words or phrases. Imagery can be used freely to compliment the typography. The kind of imagery, i.e. found images, photography, illustration, etc. is up to the designer. However, they must be appropriate resolution and quality. No pixels! There are no color limitations.

OBJECTIVES:

To increase your ability as a planner and form giver
To Develop an awareness of the relationship between design and meaning
To increase and improve quality idea generation
To increase conceptual skills
To increase your understanding and appreciation for typographic subtlety

PROCESS

You will be required to maintain thorough documentation of your process throughout this and all assignments in this calss. Keep a collection of everyting pertaining to this project (research, sketches, copies, etc.) and bring it to each class meeting. This collection will be turned in at the completion of this assignment and will be part of your final grade.

PROJECT COMPONENTS:

6″ x 6″ saddle-stitched booklet
Process notebook

PRESENTATION:

6″ x 6″ booklet, including covers and 3 double-page spreads

PROJECT TIMELINE:

Wed Nov 16 – Begin research / thumbnails / sketches
Mon Nov 21 – Digital comps due
Wed Nov 23 -Thanksgiving Break (No Class)
Mon Nov 28 – Revisions Due
Wed Nov 30 – Individual Critique
Mon Dec 05 – Revisions
Wed Dec 07 – Project Due

October 3, 2016October 19, 2016

TYPE + IMAGE: MODULAR TYPE

Your objective for this project is to design a creative and expressive typeface from three basic shapes. Of course, all letterform design is modular, in a way. Once you have a stem, curves, transitions, and the like, you can use those parts and pieces to create an entire typeface. That’s exactly what you are going to do, but with just a few shapes. Often, we think of the bauhaus and their heavily geometric and modular ideas. Here’s a link to a great looking workshop on modular type.

You will begin by drawing your modules on graph paper. Try out a few different combinations of shapes. Try a circle, square, and quarter-circle. That would yield a typeface like Josef Albers’s Kombination Schrift above. Then maybe try some less geometric, more organic shapes. Then mix the two styles together to get something new and interesting.
Then test your design by designing a series of letters and numbers with those modules. You might instinctively start out with A, B, C, etc. But that isn’t really the best way to go. Instead, start out with A, E, N, S, G, and 2.
Next, transfer your final selection of modules to clean, white paper and carefully cut them out. Use the cut out shapes to create upper-case A through Z, and 0 through 9. Trace the shapes with pencil and fill in with marker on white paper.
Scan the results of your tracing and markering and digitize in Illustrator.
Design something (not a poster) with your new typeface. Of course, this typeface will function as a display typeface, rather than something like body copy. And you will not be able to install a font file and type with it. BUT, you can still set headlines or a logotype with it by dragging letterforms around in Illustrator.
When that is finished, you will print and mount two sheets of paper on two 15″ x 20″ boards. One will be your new typeface: A-Z, 0-9, the name of the typeface, and your name set in that typeface. The other is the thing that you designed with that typeface. (Put you name and class on the back of the boards) See below…

PROJECT OBJECTIVES

Design with your hands
Design a typographic system
Implement a creative typographic solution
Analyze typographic design processes

PROJECT TIMELINE

Mon Oct 03
Draw shapes (modules) on graph paper
Test by designing characters with those modules on graph paper
Wed Oct 05
Guest speakers!
Mon Oct 10
1. Transfer and cut out graph paper character drawings from white paper
2. Create A-Z and 0-1 from modules by tracing with pencil and filing in with sharpie on white paper
Wed Oct 12
Scan results to digitize and redraw in illustrator
Mon Oct 17
Set type with vectorized letterforms (Not a poster?)
Wed Oct 19
Continue designing with new typeface
Mon Oct 24
Turn in 15”x20” black mat boards: One with A-Z, 0-9. One with the thing you’ve designed.